Saturday, November 3, 2007

Jacking the American Gangster

I get my hair cut every week for reasons attributed to vanity, insecurity, and habit, among others. Last week, I went to get my haircut and American Gangster was playing on the television. But the movie didn't come out in the movie theaters until yesterday. The picture was clear, the sound was exact, and there were no people eating popcorn in the microphone or people walking in front of the screen to go to the bathroom or get Twizzlers or whatever. It was like I was eight months in the future and watching the DVD.

My initial reaction was, "This is bad." Not the movie. The fact that I was watching the movie a week before its release date in theaters. In a barbershop. Clearly. I thought that was bad. But now I'm not so sure.

As a proponent of black people supporting black businesses, my initial reaction focused on the damage the bootleg copy could do to Denzel Washington. He is an accomplished, well-paid, much-sought-after actor. But he is also black. There are those in the black (and white) community who think it unquestionable that Washington is the best actor making movies today, and think that he is still somehow underappreciated. It is important, therefore, in the eyes of these people that movies that Washington makes are well attended, particularly by blacks, when they are released. Especially on opening night when a movie's success or failure is often cemented. If Washington attracts huge numbers on opening night, the argument goes, his clout, prestige, marketability, cache, etc. become increasingly more undeniable or subject to devaluation. There is a subtle, if not unspoken, energy among blacks when a "black" movie or a movie starring one of our cinematic heroes opens that urges us to represent in the theaters in support of the movie or its star.

But if the movie is playing and being sold in black barbershops one week before the movie opens, then chances are that energy urging us to go out and support the black film or the black star is undercut by the ability to cop the movie for 5 bucks around the way. The interplay between the notion that blacks should support other blacks in the public eye and the notion that a person (black, white, or other) would be silly to pay top dollar to go to the theater to see a movie that you can buy for 1/3 the cost and watch in your house got me thinking.

What motivates blacks to go see "black" movies? I heard on the Steve Harvey Morning Show the admonition when "Why Did I Get Married" came out a few weeks ago that blacks should go support the movie, especially on the first weekend when the numbers were all important. At one level, blacks going to see black movies is a form of supporting black business. But the cat selling "American Gangster" in the shop was black too. As between supporting black business, must we not adhere to practical consumerism and take advantage of the best value? Additionally, it is an open question how much of the money blacks spend at the movies actually goes into the pockets of the stars or movie makers we go out to support. If American Gangster makes $46.3 million this weekend, how much of that will represent Denzel's share? Conversely, when a patron cops the bootleg for $5 the money goes directly in the pocket of the black dude selling the copies. No, really; I saw him put the money in his pocket.

It occurred to me therefore that there is more going on than just supporting black business when blacks urge others, as Harvey did, to go to the movies. I think that there is a notion at play that we want to look supportive (if not unified) of one another in the public eye. It is a communication to the majority culture that our movies and our actors are just as good as yours. See, we paid our good money to go see them. This notion empowers the Tyler Perrys and Denzel Washingtons of the world to point to their black supporters and leverage that support into advantages on their end.

But when will blacks stop putting on our best face to look good for others? When will we "progess" into a fully functional, self-interested group of consumers like others in American society? I mean, I heard people in the barbershop saying that they were not going to buy the bootleg copy because they WANTED to support Denzel and go see it in the theater (and expressly not due to the illegality of buying bootleg movies)! Are we playing a different game, or just by different rules?

11 comments:

Abduka said...

Peace,
I respect and love the fact that you began the piece discussing your own vanity and then tackled our collective issues of vanity. Too much of Black public and political movement is about the face or the voice. Both are very very superficial. Doesn't Denzel's character say in the movie "the loudest in the room is the weakest in the room?" That's the depths to which our community has reduced our dialogue and movement. We are loud and showy people with nothing to show for it. Others get rich off of our misdirected energy. Artists leverage the power of the communities support with out accountability just like our black politicians and preachers. Our people have the audacity to disparage hip hop for its gangsta fascination, but Denzel and Ruby cosigned this nonsense as well. Not cool.

L said...

Is Denzel off the hook though for having misgivings about playing this role? I understand he refused to play the lead in training day until the script was rewritten to have the character die at the end. Similarly, I imagine the fact that Lucas turned informant at the end assuaged Washington's misgivings about portraying a drug-dealing murderer. Is that enough to let him off the hook? Demanding redemption is all sinners can stand for, isnt' it?

V said...

L, I think you just put your DVD distributor out of business.

It is indisputable that selling a bootleg DVD (especially one of exceptional quality) before opening weekend will certainly hurt the box office sales. And, if I were to rely solely on the basic notions of consumerism, I can see your point. Supporting a business person knowing he/she is getting a substantially higher percentage of your purchase price all the while paying a lower price is a win-win.

However, consumerism does not exist in a vacuum. In fact, consumerism is a product of capitalism which is really the pertinent principle at work when urging blacks to “support” black movies. While the short-sighted might see this urging as an admonishment to show a “unified front,” for “others,” the reality is: “support” is nothing more than proving a market exists for this particular product.

As you discussed, Denzel’s box office draw was solidified with a 46 million-plus box-office earnings during the opening weekend of American Gangster. However, let’s not forget his co-star is Russell Crowe. It is undeniable that Denzel is the best actor of our time. It is just as true that his roles usually involve big-budget productions with big-name casts. (which in my opinion, continues to contribute to his overall under-appreciation, but I digress). The accolades acquired from the big box office opening can be attributed to various actors, directors, cinematographers, etc. and apportioned accordingly. Further, while Denzel (who should always be supported) is a black actor, he has mainstream appeal and has certainly not been limited to “black” movies. For the foregoing reasons, I think your comparison between Denzel in “American Gangster” and Tyler Perry’s “Why did I get married” is flawed.

When Denzel did lend his beautiful blackness to a “black” movie (defined by me as a predominately/majority black cast) in “He Got Game,” the TOTAL box office gross on the movie was 21 million plus and the production budget was 25 million. Here, Denzel starred in a “black” movie that did not gross enough to cover the cost of its production which could lead to several conclusions, two of which are: (1) Denzel is not even enough of a draw to make money on a “black” movie and, therefore a market must not exist for the “black” movie; and (2) Denzel has many mainstream “supporters.”

Now, capitalism takes over. Because a box office budget consists of investors providing the “up-front” money to produce the movie with the expectation of making money on the backend, a movie has to gross more than the costs of its production to make it a viable investment. And, if investors believe there to be no market for the “black” movie, regardless of the actor(s), what investor would “invest” money into the production of a movie they believe will lose them money? Especially, when mainstream supporters will pay good money to see that same actor do just about anything?

Accordingly, if no market for the “black” movie exists, then there is no need for the black actor (if he/she lacks mainstream appeal) or the local barbershop distributor of bootleg DVDs.

As such, an urging for support is less likely a call for a hand-holding, kumbaya-singing, group-hugging unified display for the on-lookers, but rather an urge to create/maintain a market that fosters the growth and continues to support the production of the “black” movie. Which, if I am not mistaken, is black business.

By the way, one may have nothing to do with the other but following the Steve Harvey admonishment, Tyler Perry’s “Why did I get Married” has currently grossed over 50 million in box office earnings.

Mike said...

Similar to V, I've viewed the "go support the black actor" as more of an effort to ensure that there continues to be a market for "black films" and roles for black actors. I agree that some of it does have to do with communicating, "our actors are just as good as yours" but I think a major reason is about representation in film. Supporting the bootlegger, despite it supporting a black business, does not help in that specific cause.

Having said this, I don't live by the "support black film" creed. I will go see a movie if I think I will like it and won't if I don't. I figure, let the movie sink or swim by how hot it is, not by how black it is. Some black movies are hot and some are not, period. I will not support whack black movies. I love Denzel as an actor and have seen nearly all of the flicks he's been in, but that is because he is a phenomenal actor.

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